In “Mindhunter,” he shot 75 takes for one particular scene. For “Zodiac,” he spent an entire afternoon trying to get a closeup of Jake Gyllenhaal’s hand tossing paperwork inside his car. And you never see the actor’s face in the final shot. In “The Social Network,” in response to a question about how many laptops he broke during that famous laptop smash scene, Andrew Garfield stated that it took 13+ scenes to get the shot Fincher wanted (that’s a lot of wasted laptops). Now we have Amanda Seyfried, who only has one scene in Fincher’s upcoming Netflix movie, “Mank,” but says that Fincher’s obsessive-compulsive behavior resulted in a week of shooting and 200 takes of that single scene before he was satisfied with the result. Fincher wants to get a scene right, as he envisioned it. Much like Kubrick, Fincher is an obsessive perfectionist, and the movies speak for themselves. IndieWire claims that he seems to do on average a good 50 plus takes per shot. Regardless, this kind of obsessive attention to detail shows in his films, where every frame is so precisely calculated. Contribute Hire me
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